Being In Tune: How It Can Make You Or Break You -

 

Tuning the guitar will definitely make you sound better and when you hear your playing sounds well, you'll enjoy practicing, and practicing will then make you a better guitarist. Tuning your guitar properly is as important as your knowledge and skills in guitar playing. Your skills and knowledge will be nothing if you play an improperly tuned instrument. A properly tuned instrument is also very important in recording. Before getting into how to actually tune your guitar, let's explain the difference between a guitar being in tune with itself (relative tuning), and being in absolute tune.

Relative Tuning

The main thing to understand about relative tuning is that a guitar can be in tune with itself, but not necessarily be in tune with another instrument, such as a piano. The thickest string on a guitar (ex. the 6th string) corresponds with the note "E", and there is an absolute, known pitch and frequency associated with this note. However, if your 6th string is not exactly this pitch, it's not a big deal unless you're going to be playing with a piano player or someone playing an instrument that isn't easily tunable. In fact, many bands don't tune to the exact frequency of an "E". They just tune to an "E" on somebody's guitar, and as long as they're in tune with each other, everything sounds fine. For most beginners, it isn't particularly important to be tuned to the exact pitch of an "E".

Absolute Tuning

If you need your guitar to be exactly in tune with e.g. a piano, then you'll need a tuner or some other device that can give a reference to guarantee accuracy.

The Unison Method

Here we use the high E-string as a reference note.

Tuning the B-string

Pluck the open high E-string.

Pluck the B-string at the 5th fret. Adjust it until it has the same pitch as the open high E-string.

Tuning the G-string

Pluck the open B-string.

Pluck the G-string at the 4th fret. Adjust it until it has the same pitch as the open B-string.

Tuning the D-string

Pluck the open G-string.

Pluck the D-string at the 5th fret. Adjust it until it has the same pitch as the open G-string.

Tuning the A-string

Pluck the open D-string.

Pluck the A-string at the 5th fret. Adjust it until it has the same pitch as the open D-string.

Tuning the low E-string

Pluck the open A-string.

Pluck the low E-string at the 5th fret. Adjust it until it has the same pitch as the open A-string.

One problem with this method is that if you get one string wrong, the following strings will also be wrong. If you have tuned accurately, the interval between the two E-strings should be exactly two octaves.
Tuning with Octaves

In this method we use the low E-string as a reference note.

Pluck the open high E-string. Then, pluck the low E-string at the 12th fret. This note should be in tune with the high E-string. If not, then adjust it into tune.

Pluck the low E-string. Then, pluck the D-string at the 2nd fret. This note should be in tune with the low E-string. If not, then adjust it into tune.

Pluck the A-string. Then, pluck the G-string at the 2nd fret. This note should be in tune with the A-string. If not, then adjust it into tune.

Pluck the D-string. Then, pluck the B-string at the 3rd fret. This note should be in tune with the D-string. If not, then adjust it into tune.

Here Is Another Example In Tuning With Octaves :

Pluck the low E-string on the 3rd fret. Then, pluck the open G-string.

This note should be in tune with the low E- string. If not, then adjust it into tune.

Pluck the A-string on the 2nd fret. Then, pluck the open B-string.

This note should be in tune with the A-string. If not, then adjust it into tune.

Pluck the D-string on the 2nd fret. Then, pluck the open high E-string.

This note should be in tune with the D-string. If not, then adjust it into tune.

Tuning with Harmonics

This is a great way to fine-tune your guitar after you've used the unison method! Here we have the high E-string as the reference note.

Pluck the 5th fret harmonic on the low E-string. This should sound the same pitch as the open high E-string. If not, adjust the low E-string.

Pluck the the A-string on the 7th fret. This should sound the same pitch as the 12th fret harmonic on the low E- string. If not, adjust the A-string.

Pluck the D-string on the 7th fret. This should sound the same pitch as the 12th fret harmonic on the A-string. If not, adjust the D-string.

Pluck the high E-string on the 7th fret. This should sound the same pitch as the 12th fret harmonic on the B-string. If not, adjust the B-string.

Pluck the B-string on the 8th fret. This should sound the same pitch as the 12th fret harmonic on the G-string. If not, adjust the G-string.

Finally, pluck the G-string at the 7th fret. This should should the same pitch as the 12th fret harmonic on the D- string.

In step #2 and #3 you tune the fretted notes. In step #4 and #5 (and #1) you tune the harmonics.

 

*FOOTNOTE - It is important to let you know about 5/7 harmonic tuning. This is a method that can only be used when tuning roughly and quickly. A fine-tuned guitar will not play in tune with this method.

This is how many people tune : First, they strike the 5th fret harmonic on the low E-string and compare it to the 7th fret harmonic on the A-string. Then, they strike the 5th fret harmonic on the A-string and compare it to the 7th fret harmonic on the D-string, and so on.........

The reason for all this is that all harmonics are pure intervals, but the guitar is constructed for the tempered scale.

 

 


image image image image image image image image image image
image

image